How Long Teck Test Of Hiv

Larissa Lisyutkina Natalya Pshenichnikova :-)

quote from the magazine virtual friend: http://shaherezada.livejournal.com/203799.html?view=6563351 # t6563351
Natalia Pshenichnikova acts Konzerthaus on Gendarmenmarkt

information came from Boris Raskin about the concert:
http://www.facebook.com/event.php?eid=1

34088113278686

I decided to do the translation, because many are likely unaware of the existence of Germany's powerful potential performers from Russia, it was in the genres of modern art. In today announced the concert involved Pshenichnikova Natl. The first time I was at the concert with her participation 10 years ago. Then I lived in Cologne. A concert was in Bochum. I took his girlfriend, Lida Fegler. Lida, a student of prof. Aymermahera personally knows Russian Art on Wednesday, she managed to make a significant collection works by artists of the "second avant-garde." Star of the concert was the singer, a virtuoso who worked with a wide range of vocal and instrumental sounds conceptually include in its composition SILENCING, stage movement, a wide range of intellectual and emotional expression, in which a parody of kitsch and pathos found themselves side by side, without violating the internal logic performs a musical text. I tried to Lida ask about this actress, but she could only say that Natalie, obviously, by nature endowed with the greatest talent to create integrity, she has an innate intuition how to integrate all the dissonance and counterpoint to one of aesthetic and ideological system which the public is perceived to be completed as saying.

second time I was faced with Natasha again by chance, and not even able to consider it as though she was just three meters from me. I learned it by style and voice of her flute, even without seeing. It was at the funeral of Anna Alchuk. Here is a quote from my LJ:

"actress that I have once seen on concert in Bochum, performed an amazing piece of music: tonkogolosye signals, gongs heralded introduction of the country, doubly, monotonous sound - It is slightly deflected up and down from the main note, there were interruptions, sighs, and the modulation. And yet it was as if two layers: pure and delicate - almost a flute, and next - a hoarse, uneven, almost human voice. " - http://shaherezada.livejournal.com/8315

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. I did not see Natalia Pshenichnikova at the funeral, because it is during the execution of sitting in a doorway between two rooms, while I was at the other end of the table, and guests in front of me blocked the view. But now we are - finally! - Are familiar, and even Natasha was my guest. But in Berlin I realized only one of its live performances. But I often read the notice on her European tour, concerts in Moscow and at music festivals anywhere but "not at home." This is the first time. And I'll try to get him, regardless of even at 35-degree heat. The concert is named WALL -------------------- WALL Time: Sunday, July 4, 2010, 8-9.30 pm. Place: Music Club, Konzerthaus, Gendarmenmarkt, 10117 Berlin Description: multimedia performance, a free composition on the novels of Vladimir Sorokin's Day Oprichnik "and" Sugar Kremlin.

Participants: Viktor Nikolaev - manual videozhivopis Minako Seki - Butoh-dance Ingo Royleke - dance Natalia Pshenichnikova - composition, flute, voice
Ildar Kharisov - composition, electronics
Lynas Burneyka, Alex Jules - video

project is being implemented with financial support from the Department of Culture Berlin Senate.
Tickets: 10 euros discount - 6 euros
Inquiries: 030-20309-2101 German-Russian Theater Calligraphy "emerged in 2005 on the initiative of artist Victor Nikolaev. The program of the theater to date more than 40 multimedia performances. They were shown in Berlin, Moscow and other cities. Since 2008, the theater enjoys institutional support from the Society of Assistance to Eastern Europe (Gesellschaft für OSTEUROPA-FÖRDERUNg eV). new composition dedicated to the theme of contacts between Russia and its neighbors. The basis of performance laid anti-Utopical dilogy famous Russian writer Vladimir Sorokin's "Day Oprichnik" (2006) and "Sugar Kremlin" (2008). In these novels Russia in 2028 surrounds himself with "the Great Russian wall" separating the manner and to the West, and everything else world.

Visualization ideas Sorokina carried out on the line between composition and improvisation. Calligraphy in all its ambiguity is expressed in hieroglyphic forms (video projection on a screen), which pass on the bodies of dancers (Minako Seki and Ingo Royleke), as well as the "musical pieces" (Natalia Pshenichnikova и Ильдар Харисов).

Подробности на сайте: www.calligraphy-theatre.com