new multimedia performance of the "Theatre of Calligraphy"
Work on the project by means of the distributed cultural work Schöneberg / district office of Tempelhof- Schöneberg, Dept.. School, education, culture and seniors / Distributed culture Labour. 
Sunday, 11/15/2009, 19:30 
Русская сцена" Kurfürstenstraße 123 / corner at the Urania, http://www.russische-buehne D-10785 Berlin-Schöneberg
. de , Phone 030 - 89 00 99 72 Admission 15, - €, reduced 10, - € KREMLIN - REICHSTAG
Multimedia Performance the theater of calligraphy
Berlin - Moscow Viktor Nikolaev - manual video painting,
Anna Melnikova and Ingo Reulecke - dance, Ildar Kharissov - E-Piano, Tobias Schwartz - Variations a conversation with Vladimir Sorokin,
guest Pascal Wroblewsky - Vocal art, ideology and man, their differences and connectedness are the focus of this full-length performance, a synthesis of various Art forms - literature, music, dance, painting and video art - and to set the balance between structure and free choice (Improvisation) holds. This performance was inspired by the current socio-critical novel The Sugar Kremlin "(2008) by Russian writer Vladimir Sorokin.
Performance strives for a dialogue at various levels:- between the actual language of the texts by Vladimir Sorokin, and Tom Schwartz, the particular political and social processes in today's globalized world, naming, and the forms of nonverbal kitchen ; nste that this Processes represent symbolically, taking a room for multiple interpretations can
- between the entrenched forms of architecture (Kremlin, Mausoleum, Reichstag, Brandenburg Gate) that have existed for centuries or decades (video on the screen), and "volatile" color gestures and calligraphy of the painter who created the "here and now" and, projected on the screen in front of a moving video, and new emphasis in the interpretation of the text of Sorokin share - ideologically between the laden, almost menacing buildings of the Kremlin and the Reichstag on the one hand and the vulnerable, soon "naive" and "natural", sometimes with prevailing cultural norms playing bodies of the dancers on stage in front of the screen - between the Russian dancer with experience in the field of classical and Russian folk dance tradition and the German dancer, who goes with his dance partner in search of current representations of interpersonal relations, it falls into different cultural contexts and the public with the question of superiority of the human
ü ; via the in Sorokin Roman discussed ideological and cultural differences faced- between form and color design on the screen / stage on the one hand and timbres and rhythms of the music on the other. The singing and the piano music form their own semantic and emotional layer, changing images and characters set in a continuum with "Russian" and "German" sound quotes to combine them together and interpret it anew.
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